James Gandolfini's final role in The Drop. |
««« The Drop. Written by Dennis Lehane, based on his short story. Directed by Michaël R. Roskum. At area theaters.
By the time James
Gandolfini died in 2013, he had only begun to explore his limits as an actor.
It was clearly a question that was on his mind: after playing the archetypal
modern gangster on The Sopranos for
eight years, only one of the roles left in the can after he died was in a
straight-up mafia flick. That single exception was a supporting turn in Michaël R. Roskum's The
Drop.
The reason he chose it turns out to be
straightforward. Unlike The Sopranos,
The Drop has a small-time focus,
centered on only a few characters in and around a minor watering hole in
Brooklyn. The hero is Bob (Tom Hardy), a seemingly slow-witted barkeep with a
long and mysterious connection to his cousin, "Uncle" Marv
(Gandolfini). Marv's bar is one of the places the mob uses to collect its cash
pay-offs in the neighborhood (thus a "drop"). The guys manage to keep
their noses clean until a pair of gunmen pull an ill-advised robbery—leaving
Bob and Marv on the hook for the lost money.
The story (based on Dennis Lehane's
short story "Animal Rescue") is full of unspoken history wrapped in a
layer of outer-borough grit. Gandolfini's interest in it comes clear about
midway through, when he complains that he was once a player, "a guy to be
feared"—but no longer. It's tempting to think Gandolfini saw Uncle Marv as
one version of Tony Soprano's future, after losing his family and all his power.
Lonely and irrelevant, terrified he's becoming just another
"jerk-off", he's a guy liable to desperate gambles.
The
Drop is a latter-day Sidney Lumet film that feels about as Brooklyn as
Flatbush Avenue. This is remarkable in that virtually none of the principals
are actually from Brooklyn or anyplace else in America. Hardy is Australian,
Noomi Rapace is Spanish/Swedish, Matthias
Schoenaerts and
director Roskum are Belgian. (Gandolfini and writer Lehane are from New Jersey
and Massachusetts, respectively—both about as foreign to Brooklyn as Belgium.)
Would a typically Brooklyn director, say Spike Lee, have produced something
equally authentic about the working-class neighborhood of Marollen in Brussels? Qui
sait?
For his part, Hardy has mastered that
particularly Brooklyn tilt of the head, that way of looking a guy in the face
without overtly confronting him. Though the obvious comparison is to DeNiro,
there's something Brando-esque about Hardy's presence that bodes well for the
future. (Hardy will play Mad Max in the upcoming Road Warrior remake.)
When The Sopranos ended in 2012, many fans were disappointed by David
Chase's decision to close with no ending at all. At least with respect to Tony
Soprano, The Drop presents one
version of what might have been.
© 2014 Nicholas Nicastro
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